Before performing the Cham, monks undergo weeks of intensive retreat and meditation, visualizing themselves as the deity they will represent. They contemplate the symbolic meanings of their masks, costumes, hand implements, and sacred gestures, transforming the dance into an act of meditation and divine manifestation. Thus, during the performance, the dancers do not merely act—they become the deity itself, radiating spiritual power and blessings for all who witness the ritual.
Cham is both a meditational practice and a ritual offering, intended not as entertainment but as a sacred act that benefits all beings. Every movement, rhythm, and gesture carries deep spiritual symbolism. There are many forms of Cham—some performed with masks and others without, some emphasizing intricate hand mudras, others energetic footwork. Performances may involve a few monks or more than a hundred dancers. In Mongolian tradition, twenty-four Cham forms are known, with the most significant being the Khüree Cham or “Monastic Cham.”
